A person. No matter what brand. Cheating to get permanent green cards.
MEMBER OF PEER
ADVISORY BOARD HA
S BEEN TIPPED AS
Some young foreign diplomats, still oblivious to the secrets of the chancelleries. Shells of ships floating amongst maritime litter.
the young - we will call them young - eyed the striped box with its handle. each cranked it, complicit.
tails often abut. we’re last, loitering, diplomatic putters. false sand, their course: cough up green
fees, strategy ~ holes, clubs, par.
Port Arthur is still taken every day by late Bergman characters. But
breakfast first. Bran
soaked in petrol. Won't
foliage density amplifies
from Undertones, Chris Turnbull and Bruno Neiva, 2017-2019
a) First comes a number. One of them addresses it and sets the pace. The other follows suit. They take turns randomly and carry on. This goes on and on, for over a year, until they reach twenty-one and finally turn their attention to notepads.
b) The crease between each set of numbers, each piece, is a form of measure and hiatus. The numbers carry us forward. The pieces are unexpectedly in accord, are a bit unreal. Without summarizing, perhaps they hum in a sort of intercross of tangential, accrued perceptions harvested sensorily from daily and scattered appropriations. Marked treads.
20 (Bruno Neiva), Europoe: An Anthology of 21st Century Innovative European Poetry, Kingston University Press, London, UK, May 2019
19, 20 and 21, Where is the river :: a poetry experiment, Ottawa, Ontario, Canada, Sept. 2018
1, 2, 3 and 4, 3:AM Magazine, London, UK and Paris, France, May 2018