Details
from Undertones, Chris Turnbull and Bruno Neiva, 2017-2019
Description
a) First comes a number. One of them addresses it and sets the pace. The other follows suit. They take turns randomly and carry on. This goes on and on, for over a year, until they reach twenty-one and finally turn their attention to notepads.
b) The crease between each set of numbers, each piece, is a form of measure and hiatus. The numbers carry us forward. The pieces are unexpectedly in accord, are a bit unreal. Without summarizing, perhaps they hum in a sort of intercross of tangential, accrued perceptions harvested sensorily from daily and scattered appropriations. Marked treads.
Publication history
20 (Bruno Neiva), Europoe: An Anthology of 21st Century Innovative European Poetry, Kingston University Press, London, UK, May 2019
19, 20 and 21, Where is the river :: a poetry experiment, Ottawa, Ontario, Canada, Sept. 2018
1, 2, 3 and 4, 3:AM Magazine, London, UK and Paris, France, May 2018
Details
from Undertones, Chris Turnbull and Bruno Neiva, 2017-2019
Description
a) First comes a number. One of them addresses it and sets the pace. The other follows suit. They take turns randomly and carry on. This goes on and on, for over a year, until they reach twenty-one and finally turn their attention to notepads.
b) The crease between each set of numbers, each piece, is a form of measure and hiatus. The numbers carry us forward. The pieces are unexpectedly in accord, are a bit unreal. Without summarizing, perhaps they hum in a sort of intercross of tangential, accrued perceptions harvested sensorily from daily and scattered appropriations. Marked treads.
Publication history
20 (Bruno Neiva), Europoe: An Anthology of 21st Century Innovative European Poetry, Kingston University Press, London, UK, May 2019
19, 20 and 21, Where is the river :: a poetry experiment, Ottawa, Ontario, Canada, Sept. 2018
1, 2, 3 and 4, 3:AM Magazine, London, UK and Paris, France, May 2018